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kevin haynes grupo elegua |
kevin haynes grupo elegua |
| Written by kevin | |
| Saturday, 26 April 2008 | |
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Ajo se po (‘Unity’) is the third album by Kevin Haynes and Grupo Eleguá, following Tomorrow’s path (1997) and Ori ire (2002). One sense of the title Unity’ is the way Haynes brings together strands of different musical traditions from Africa and the New World. Ajo se po\ continues Kevin’s exploration of traditional Afro-Cuban, Nigerian and jazz musical idioms, but it is the first Grupo Eleguá album to feature a koraplayer (Diabel Cissokho). Ajo se po reveals Haynes’s mature musical vision and his integration of musical elements with reference to a deepening spiritual understanding. Haynes has created a modal harmonic language sufficiently flexible to incorporate Afro-Cuban melodies and classical kora-playing. All tracks on this album are original compositions by Haynes, and the personal voice of his alto saxophone is the main focus of Grupo Eleguá. There is a Yoruba spirituality at the heart of Kevin’s musical thinking which has both Nigerian and Cuban dimensions. This is especially reflected in the use of recitation and in the batá drumming. Cuban batá drums are employed on all the tracks, and each piece grows out of a particular batá rhythm (dedicated to a particular orisha or divinity). In the following notes on each track, examples of batá parts are written in 6/8, but naturally these parts are heard as triplet movement in 4/4 by the other instrumentalists. Needless to say, the notated basic rhythm gives only an indication of the conversations and variations of this rich music. |
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